Saturday 15 April 2023

For whom?

Classic FM helpfully explains:

Beethoven’s Bagatelle No. 25 in A minor is rarely referred to in such grandiose terms; instead, all who know and love it refer to it simply by its nickname, ‘Für Elise’ (German for ‘for Elise’).

Phew – silly me: there I was thinking it meant furry leaves.

The issue of this (alleged) 'dedication' ...

<parenthesis> 
(I'm not so sure: maybe it's just an indication of the pupil who might benefit from it; for more on this, read on)
</parenthesis>

...arose recently when, as recounted in  an article in Current Biology published on 22 March), Begg et al.

<parenthesis> 
(alii is a bit of an understatement; multissimi, more like; a dozen or more contributors of various kinds are credited)
</parenthesis>

...examined more-or-less well-attributed locks of Beethoven's hair. The original article is pretty dense (and long) so this rather arch précis ...

<parenthesis>
(I say 'rather arch' because it uses the not unclunky device of keeping Beethoven's identity secret for the first few paragraphs; at first he is just 'the patient')
</parenthesis>

...more readable. 

There have been several interpretations of the person referred to by the words "Für Elise", notably three:

  1. Thérèse Malfatti
    Classic fm's page on the subject holds that
    It is widely acknowledged that Therese, perhaps the true dedicatee of ‘Für Elise’, was Therese Malfatti, a woman to whom Beethoven proposed in 1810 – the same year he composed ‘Für Elise’. She was also the owner of the manuscript.

    Previously (I suspect a rather hasty edit, as Malfatti hasn't been introduced yet) the page has this:

    Poor Therese must have been slightly miffed when, thanks to a rather slapdash copywriter called Ludwig Nohl, the dedication on the published version of the work was changed to someone quite different.
    Not just 'rather slapdash', I'd say; totally incompetent (tripping on laudanum, perhaps). I don't buy this. Again, the author seems to be hung up on the term 'dedication': see option 3. 

  2. Elisabeth Röckel. That page goes on:
    However, other researchers have suggested Elise could have been a German soprano named Elisabeth Röckel. Röckel played Florestan in Beethoven’s opera Fidelio, and many sources show that Elisabeth often met with Beethoven, who fell in love with the young woman and wanted to marry her.

    Has anyone called 'Elisabeth' ever answered to 'Elise'? Has Ms Röckel? I don't know, but I'd  be surprised.

  3. A pupil of Malfatti, called Elise.

    Classic fm again:

There is also a third candidate: another German soprano and friend of Beethoven called Elise Barensfeld. In 2012, musicologist Rita Steblin claimed Beethoven dedicated ‘Für Elise’ to Barensfeld.
Steblin thinks Therese Malfatti could have been Barensfeld’s piano teacher when she was 13, which is why Beethoven dedicated Elise the easy Bagatelle, “to do his beloved Therese a favour”.

There is that 'dedicated' again. Why does it have to be dedicated to anyone? Mightn't it just have been designed for her to play as that week's homework?

Anyway, 'dedication' apart, what  about poor Ludwig? Begg et al. concluded that he had Hepatitis B (among other conditions) – explaining his deafness. And they did this by DNA analysis of his hair (of which there are several examples, more than half of which are reliably authenticated...

<parenthesis>
(though one, reverentially displayed in its own 'reliquary', turns out [hilariously] to have come from, in Medscape's words, a woman likely of North African, Middle Eastern, or Jewish ancestry)











 

</parenthesis>

But some of the others are reliable:


And Begg et al. give a fascinating analysis.

<nagging-doubt>
One question arises though: I can't claim to be an expert on DNA profiling, but I have watched several episodes of CSI. And even I know that when someone finds a hair that should lead to the cracking of the whole case, the lab always says (improbably promptly) 'There was no root. we can't get anything from it.'

From what appears in that photo there are no roots; you can almost see the scissor marks (all right, not really, but the locks were obviously detached with some care. 

No doubt the science has progressed; smaller and smaller samples are gaining evidential credibility. But the Medscape article refers repeatedly to follicles:

But it wasn't just Beethoven's DNA in these hair follicles. Analysis of a follicle from later in his life revealed the unmistakable presence of hepatitis B virus. Endemic in Europe at the time, this was a common cause of liver failure and is likely to have contributed to, if not directly caused, Beethoven's demise.

</nagging-doubt> 

Ho hum. Enough; but have a read.


 

No comments:

Post a Comment