Monday, 29 April 2019

English tests as part of the 'hostile environment'

A Guardian article last week quoted Stephen Timms, the Labour MP for East Ham:
“Panorama established that a few dozen people cheated, but the way the government has responded has blighted the lives of thousands and thousands who did not cheat. All the people I’ve met feel mortified that anyone would think they would cheat."
Source
My attention was drawn to the article by this tweet:

And the writer also wrote a blog post; "rather angry" she said:
Not very angry – bit of a shame really for a fan of (written) blood sports; I'm partial to a literary hatchet job.  But there's a lot to be angry about:
I knew there had been problems with some of the centres running tests of English, but it now turns out overseas applicants and some who are already studying in the UK for whom there is no evidence of cheating are having their visas cancelled, denied or - in extreme cases - being forcibly removed from the UK.  Many have asked to sit tests again to prove their proficiency and therefore eligibility to study in the UK. This has fallen on deaf ears. 
Source
A few days later the Guardian upped the ante:
The Guardian has learned that a special team overseen by the Home Office was established in January 2017 to deal with the growing backlog of legal actions related to a Home Office decision in 2014 to revoke or curtail the visas of around 34,000 students whom they accused of cheating in a government-approved English language test. 
Guardian
The Indy came late to the party
The Home Office is to be investigated over its decision to cancel the visas of tens of thousands of foreign students and remove more than 1,000 people from the country as a result of cheating allegations in English language tests... 
On Friday, Mr Timms, MP for East Ham, said the treatment of the students had been “a disgrace”, telling the BBC: “They trusted Britain to provide them with a decent education. Instead, they've been falsely accused of cheating and been given no chance to appeal. They've been left in limbo for years.” 
Independent
In truth though that came "late to the party" needs qualifying.  As the same Indy article said:
The Independent revealed in February that some students were still being detained and were living in “terror” despite not being involved in the scandal.
This is a disgrace  – in the fullest sense of the word (was the creation of the "hostile environment" gracious?) Amid all this Brexit nonsense, the last thing we need to  do is alienate well--intentioned visitors (visitors, incidentally, who pay good money to contribute to the educational experience of domestic students). There is a  path to be navigated  between "a hostile environment" and the wielding of soft power; and this shabby episode represents an ugly deviation away from the side of the angels.

b

Monday, 22 April 2019

Heaven, I'm in heaven...

...When we're laid together rotting feet to feet.

This rather ghoulish image will be explained in the fullness of time. It's a long story:
<autobiographical_note date="Summer 1973">
After my first year of Portuguese I went to a summer school at the Universidade de Coimbra, which gave me both a tan and a useful addition to my stock of adjectives-turned-nouns, as every day I caught o eléctrico to the University.
<etymological_note>
I've mentioned this before. In short, one of the engines of word formation is that people get
used to dropping the noun in an
<adjective-noun> pair. A peach is a Persian, and cheese is
formed
or moulded in some languages.
For the full story, see here.
</etymological_note>
Um elétrico is a tram. 
Every Saturday the students were  taken on a guided tour led by a little man who was a geographer, and obsessed with land reclamation. So everywhere we stopped he gave us a lecture on the particular sand of the area. There are several sorts of sand in Portugal, but more than that I couldn't say – as the Portuguese spoken by the students wasn't up to his patter. 
The one other recurring theme of his lectures was the tragic love affair of the prince dom Pedro and his mother‘s lady-in-waiting (Don't queens EVER learn?) Inêz de Castro. One Saturday we visited the Monastery of Alcobaça, where the lovers are buried. The Atlas Obscura recounts:
...King Afonso IV, Pedro’s father, finally had Inês murdered before her children’s eyes. Pedro, heartbroken and enraged, rose up in open rebellion against his father, but ultimately failed in his quest for revenge and justice.  
Two years after Inês’ death, Afonso died and Pedro became king; and here’s where things go a little sideways:  
The tomb at Alcobaça
Legend holds that Pedro ordered Inês’ body to be disinterred, her corpse dressed in finery and propped up in the throne room. Pedro then ordered his vassals to pledge their obedience and loyalty to this corpse he called his wife and queen, and further demanded that they kiss her dead hand. 
Formalities thus dispensed with, Pedro had his corpse bride installed in a lavish tomb...
 Source 

</autobiographical_note>

According to Camões (the author of the piece I‘m working on for the Stephen Spender Prize for Poetry in Translation) her burial place is no less weird – feet-to-feet with her prince, so that the lovers’ first sight (when ‘raised incorruptible’) would be each other....
<inline_ps>
Sounds odd to me (not that the whole thing is particularly unodd). I thought the God-fearing rules required the body to be buried a  particular way round. Besides, shouldn’t they have their minds on higher things? (If they had minds, of course).
</inline_ps>
...The notes to the World's Classics edition  say that the exhumation story "speaks of some derangement", going on
Yet his decree that they should be buried feet to feet... so that hers will  be the first face he sees at the resurrection, seems the action of a lover.
How old is this guy? Has he forgotten? Are passionate romantic love and derangement mutually exclusive?

I had come across the name Inêz de Castro in my study of Golden Age Spanish literature as the subject of a missing work by Lope de Vega (that 'missing' is shorthand for "well-we've-only-got-Lope's-word-for-it-that-it-ever-existed" – but he did write quite a lot of other stuff, so we've no reason to think he was just bumping up his cv by claiming to have written another work); but I thought no more of it at the time.

Interesting though this story is, it may not be suitable as an entry for the Spender Prize for Poetry in Translation. The rules restrict explanations to "a commentary of not more than 300 words". And as Os Lusíadas was first published when Shakespeare was only a
whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school
there are single phrases that call for 300 words of explanation. I've started the translation now though, so I'll finish.

b

Update: 2019.04.22.18:55 – Added inline PS.

Tuesday, 9 April 2019

That's that

I have referred many times to the problems thrown up by the relative adjective/pronoun that.
<digression>
Incidentally, this relative  that, though spelt the same as the subordinating conjunction, is phonologically distinct as it's always pronounced /ðæt/: examples – "I want thAt one"; "Don't give me thAt"), with the vowel never reduced to /ə/. The subordinating conjunction is often reduced to /ðət/: examples – "She told me that she had gone" (/ðət/) but "She told me that (/ðæt/) she had gone, not why".  My guess is that the /ðət/ form is the more often used, and that the chief exception is when there's contrastive ...
<aside>
Ho-ho. The infernal machine has given that word a red underline, and helpfully suggested I might mean contraceptive.
</aside>
...stress (as in my second example). Machine-generated speech often gets this wrong. The latest example I've noticed  was in the first of the new series of Ability.
</digression>
I've  mentioned the which/that controversy here :
<grammar_point importance="negligible" skip="yes, if you value your sanity" status="shibboleth"> 
Suppose I have two lawn mowers. The green one is in the shed and the red one ... is in the garage. Woe betide you if you refer to the green one as 'the mower which is in the shed'. However, you will have Mrs Thistlebottom*'s blessing if you say 'The red mower, which is newer, is in the garage.' 
</grammar_point>
And earlier I had written here about the grammatical inflexibility, as a relative, of THAT in contrast to WHO and WHICH:
The mower that is in the garage is red 
The mower thats power source is petrol... 
The mower on that you can sit while mowing...
To sum it up, here's a table: (I'm not proud of the layout, but still...)

Case     THAT     WHO     WHICH   
Subject         that    who    which   
Object         that    whom
(with or without preposition)
  
which
 (with or without preposition)
Possessive           whose   whose
(a rather old fashioned-sounding borrowing from WHO; most speakers today – especially younger ones – say of which)     
This area of syntactical inflexibility  causes much grief. One can forgive Paul McCartney for "this cold and hungry world in which we live in"; in fact for years I gave him the benefit of the doubt and heard it as "... in which we're livin'". But people with a more thoughtful (if less creative) approach to the language are often left with egg on their faces. In a recent BBC News interview Jacob Rees-Mogg said (right at the start of that recording, about 14 seconds in) that "the EU should be careful for what it wishes for".
<possible_extenuation>
When I first heard it on the radio I thought he had just changed horses in mid-stream; the linguist's word for this is anacoluthon (mentioned before in early posts, here for example: the song I  mentioned in the last para of that post starts like this: [to the tune of Anna*, of course] 
Ana... [backing vocals continue: "...coluthon"] 
Is when a sentence starts one way
But then it begins to stray; 
You start out with one sentence structure 
But it's really different 
In the end  
[Some critics may notice that "structure" and "different" don't rhyme; delivery of this non-rhyme is a matter of performance: a degree of self-editing may be suggested.]
). He started out with the Mrs Thistlebottom version ("for what it wishes"), realized it sounded prissy, and went for the more demotic "what it wishes for"; so that what he said was "be careful f... (thinks: "no, that sounds like a caricature of an Old-Etonian prig") what it wishes for". 
But on a second hearing (recycled on the TV news) I decided my initial generosity of spirit was misplaced; he just got it wrong.
</possible_extenuation>
Enough for now.

b

* Incidentally, the attribution of the song to "J.P. McCartney" on that clip is wrong. This track was on the Beatles' first album, before they had settled on their default setting of <all-songs-home-grown>. In fact the idea of singers writing their own songs was so out of the ordinary that the pop media of the early '60s were full of the word "self-penned", new to me at the time (although, as so often with suspected neologisms, it had a long history before the 1960s – more than 100 years, according to Merriam-Webster). Some of their promotional literature at the time gushed  that Lennon and McCartney had written enough new material to keep them in the charts until 1975!!! (HD: as Wikipedia might say, "citation needed").